Friday, May 15, 2015

Field Trip




Field Trip


On May 12, our interior design class took a field trip to the Twin Cities to visit some highly architectural areas. Our first stop was James J. Hills house and we got to learn a little bit about the house along with most of summit ave. homes from a tour guide. Every home had its own unique style and stories to go with each. The last stop we made was the St. Paul Cathedral. This was also a tour and we got to learn a lot about what each statue meant, how the Cathedral was found, and other very interesting facts about the incredible architecture. 

     The James J. Hill house was built by James Hill and was completed in 1891. James was born sept. 16, 1838 in Ontario Canada. He later created the Great Northern Railway Company, which was responsible for huge railroad expansions in the U.S. Northwest. Mark Fitzpatrick was the architect for this monstrous home along side James Hill himself. The house has 36,000 square feet of living space.



 Originally, in 1859 a photograph by Joel Whitney shows six houses on the hill along Summit Ave. Edward Duffield Neill owned the first house on Summit Avenue, in a location now occupied by  James J. Hill House. Continuing to the left, the photo shows the houses of William and Angelina Noble, Henry F. Masterson, Henry Mower Rice, Henry Neill Paul, and David Stuart. Now the street is full of houses for about 4 1/2 miles. Back then the styles that were common on Summit were Queen Ann and Victorian with some Italian architecture. My two favorite houses were Edward T. Buxtons House, and William Butlers "Lemon Merinque" House. These were my favorite because both had that Italian, Mediterranean feel to them which I love, On the tour I learned that there were 3 houses before the James J. Hills House is located now. I also learned that the statue of Nathan Hale has no significance to Minnesota at all and is rumored to not even be him.
                    Edward Buxtons House                                       William Butlers House

The building of the St.Paul cathedral was instigated by Archbishop John Ireland in 1904. The site before was occupied by the mansion of entrepreneur Norman Kittson. Charles Smith and Alpheus Beede Stickney, two businessmen in St. Paul, purchased the land and donated it to the archdiocese. At Ireland's direction, the archdiocese commissioned well known French Beaux Arts architect Emmanuel Louis Masqueray, who was also the chief architect of the 1904 Worlds Fair in St. LouisMissouri, and construction began in 1906. He had a budget of $1 million, and he based the cathedral on the designs of French churches of Perigueux Cathedral at Perigueux and Sacre Coeur basilica in Paris, as well as French Renaissance and Classical themes. The interior is illuminated by twenty-foustained glass windows. There is also a rose window in the transept. Electric lighting was installed in 1940. The cathedral has statues of the four evangelists in the four corners of its main pier.

Friday, April 17, 2015

Harmony



Harmony

The theme of this room is coastal living. The whites and the grays create unity to keep it simple. With some darker blues, that creates a variety but yet settles well with the whites and grays making the  coastal living of relaxation present.

Kitchen Design


Kitchen Design

I designed both of these kitchens using homestyler.com and they were made for the entertaining family that likes to have people over to socialize.

Indoor

This floor plan in the home kitchen is a very open, L-shaped island kitchen made perfect for socializing throughout the whole room from the cook to the person sitting at the table.

Outdoor

 With the outdoor patio kitchen, using a U-shape arrangement makes it very easy to quickly get around and everything is convenient to get to. With the patio table on the near side of the grill, this makes it quick and easy to hand out food to your summer guests.

Friday, April 10, 2015

Rhythm




Rhythm
This week in interior design we learned about rhythm. Rhythm uses pattern to create unity and interest in a design. It is created when certain colors, lines, forms or textures are used in a consistent pattern. Here are a few examples of 3 different kinds of rhythm.


Repetition
 achieved by repeating any of the elements of design line, color, texture and pattern, light, and scale and proportion or other design concepts in an organized and regular way. In the first picture, repetition is used in the chairs, bowls, mirrors, and the lights. It continues to have the same objects in a uniformed row. In the second picture, repetition is used with the pillars and lights on the floor. There are multiple of each and continue all the way down the hallway.



Radiation
 This rhythm is closely related to radial balance. This type can give a room a circular radial feeling and are arrayed around a center point. In the first picture, radiation is used with the way the chairs are around the table, the circular light bulbs on the light fixture, and the table. This is because the table almost serves as a main center point and the rest of the pieces revolve around that. The second picture is radiation because of the mirror, the light, the footrest, and some of the decor. In this one there isn't a specific center point but things nearby present the radial presence.




Gradation
Gradation is the use of a change in size of objects from large to small or a change in color from light to dark . Gradation is by far the most simplest of rhythms. In the first picture, gradation is present because of how the top shelf is leading your eye down with the shelves getting shorter and shorter one after the other. The second picture is also gradation because of how many holes there are in the wall for the wine bottles to be stored in. On the left there are many more holes than on the right which makes it lead your eye from left to right gradually going down.




Thursday, March 19, 2015

Color Scheme Rooms



Monochromatic


The monochromatic color scheme uses variations of lightness and saturation of a single color. This scheme looks clean and elegant. Monochromatic colors go well together, producing a soothing effect. The monochromatic scheme is very easy on the eyes, especially with blue or green hues. You can use it to establish an overall mood.


Analogous

The analogous color scheme uses colors that are adjacent to each other on the color wheel. One color is used as a dominant color while others are used to enrich the scheme.The analogous color scheme is as easy to create as the monochromatic, but looks richer.


Split Complementary

The split complementary scheme is a variation of the standard complementary scheme. It uses a color and the two colors adjacent to its complementary. This provides high contrast without the strong tension of the complementary scheme.


Triadic

The triadic color scheme uses three colors equally spaced around the color wheel. This scheme is popular among artists because it offers strong visual contrast while retaining balance, and color richness. The triadic scheme is not as contrasting as the complementary scheme, but it looks more balanced and harmonious.